Kael is useful for calling bullshit on certain things and defending others that have been unfairly ganged up against, and her passion is more than often contagious, but this is disappointingly trite stuff, even if a lot of it is really amusing (love the endless Vincent Canby abuse). When I ask friends why they like or don't like a book or movie, I really want to know if their are ideas and connections I'm missing, if the cinematography helps tell the story, if there are motifs or themes that carry home an idea. I lost it at the movies. Watch Exclusive 'Shadow in the Cloud' Clip: We're Diving Read More; This Week in Movie News: ‘Revenge of the Nerds’ Rebooted, Chris Pine to Star in ‘Dungeons and Dragons’ and More Pauline Kael's reviews shook my world; here was someone who could write insightfully, bring in current and past events, make connections and do so thoughtfully and without pomposity. I Lost it at the Movies. Examples of his critical observations are available in his books, e.g., The Primal Screen and Politics and Cinema. Kael’s problem isn’t that she’s a contrarian, but that she’s obsessed with the lonely, vigilante allure of being a contrarian (i.e. The book was a best-seller and won her assignments from such major general-circulation magazines as Life, Holiday, Mademoiselle, and McCall’s. The book was published prior to Kael's long stint at The New Yorker. I Lost it at the Movies. Collect bonus rewards from our … Find books like I Lost it at the Movies: Film Writings, 1954-1965 from the world’s largest community of readers. Of the great film critics, Kael has probably aged the worst. As a result, the pieces in the book are culled from radio broadcasts that she did while she was at KPFA, as well as numerous periodicals, including Moviegoer, the Massachusetts Review, Sight and Sound, Film Culture, Film Quarterly and Partisan Review. Download Full I Lost It At The Movies Book in PDF, EPUB, Mobi and All Ebook Format. I lost it at the movies by Pauline Kael, 1965, Little, Brown edition, in English - [1st ed.] Learn more. Since it's a collection of reviews and essays, I can pick it up and read part and put it down later, which makes it perfect for reading in-between all the books I have to read for class. I don't always agree with her, but even when I don't she's a joy to read. There's no doubt Pauline KAEL has a fancy way of saying things. A group behind me made some amusing comments, and it reminded me of Kael and I am sure that if she were alive and reviewing the picture from that screening, she would use some of those comments to enhance her point. One of the great lines by Woody Allen on Kael. Now over fifty, I don't take her word as gospel as I did when I was twenty - I have my own views these days - but no other critic could so ruthlessly and entertainingly pan a movie the way she could, and no one could explain why a great movie was great like her. Goodreads helps you keep track of books you want to read. I have always been a great admirer of Kael's film criticism, even while most of the time I didn't agree with her. ), My copy of "I Lost it at the Movies" is itself a tribute to my love of Ms. Kael's writing: purchased when I was a teenager, the binding has come apart completely so often has it been opened, and what was once a book is now just a stack of loose sheets of paper. Pauline Kael wrote masterful prose in the service of the flickering world we see on the screen. She was the regular film reviewer for McCall’s for some months in 1966 and for The New Republic in… We’d love your help. What's that delicious smell wafting in across the plains? He also questions the validity of some of her assessments of a few movies, including Hiroshima Mon Amour, 8½, and Last Year in Marienbad, stating that she is "perversely literal-minded" and comments upon "her ascetic insensibility to the sensual pleasures of cinema...when she dislikes the literary content. Search for Library Items Search for Lists Search for Contacts Search for a Library. Hello Select your address Books Hello, Sign in. This is a book that meant a great deal to me when I was in college and looking forward to a career as a professor of film history and criticism. Skip to main content.ca. The other night I saw JURASSIC WORLD: FALLEN KINGODOM and while I hated it (it is a really badly scripted movie), the audience didn't seem to care and loved watching the humans running from and (some) being eaten by dinosaurs. Pauline Kael was an American film critic who wrote for. When an interviewer asked her in later years as to what she had "lost", as indicated in the title, Kael averred: "There are so many kinds of innocence to be lost at the movies. Some notable reviews in this section for me were about the French New Wave and Truffaunt (Shoot The Piano Player and Jules And Jim), Kon Ichikawa (Kagi and Fires On The Plain), Italian films (L'Avventura, LaNotte, 8 1/2, and La Dolce Vita), Kurosawa's Yojimbo, and Satyajit Ray's Devi. Disclaimer:Pages can have notes/highlighting. This approach was later abandoned in her subsequent reviews, but is notably referred to in Macdonald's book, Dwight Macdonald On Movies (1969). Fuck, even when I disagree with her (really, how can she hate La Dolce Vita?) There are no discussion topics on this book yet. 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